

Keep in mind that it only works well for footage that was intended to be locked in the first place. If you want the result of stabilization to look like the footage was shot on a tripod, you can accomplish this by changing the Mode to No Motion. Therefore, it would need to be analyzed again. If you change anything in the settings of Lumetri and it is applied before Warp Stabilizer, the source for Warp Stabilizer analysis has changed. Why does it matter? Let’s say you also use Lumetri Color Effect on that clip. Warp Stabilizer should always be applied at the top.

In Premiere Pro (and in After Effects as well), effects on the top are applied first.

To shoot for using Warp Stabilization, you should: First, check out my video breakdown below and then read on for additional, step-by-step tips that I hope you will find helpful. My tutorial begins with the basics and walks you through everything you need to know about this visual effect, ranging from how to use Warp Stabilizer presets to how to successfully implement the effect within a Proxy Workflow. If you ever wanted to get the most out of Premiere Pro 's Warp Stabilizer effect (but were unsure of the best way to do it), you've come to the right place.
